The Social Construction of the Reality of Electric Car Brand Equity: A Study of the Management of Taman Mini Cultural Tourism Indonesia Indah Jakarta
DOI:
https://doi.org/10.21111/ettisal.v11i1.86Keywords:
social construction, brand equity, electric vehicle, quad helix, cultural tourismAbstract
This study explores the social construction of electric vehicle (EV) brand equity within the framework of national cultural tourism at Taman Mini Indonesia Indah (TMII), Jakarta, utilizing a qualitative case study approach. Empirical field observations reveal that EVs operate not merely as technological artifacts, but rather as salient symbols of value transformation, ecological nationalism, and destination branding strategies. Data were garnered through in-depth interviews, participatory observation, and documentation. The fieldwork engaged seven key operational and management informants, specifically the Head of Human Capital, Corporate Secretary, and managers overseeing transportation, promotion, infrastructure, and public relations, complemented by three visitors as research participants. The findings indicate that EV brand equity is collectively forged through three dialectical moments: externalization (positioning EVs as symbols of ecotourism transformation), objectification (institutional discourse and pervasive visual promotion policies), and internalization (the pragmatic meanings constructed by internal actors). Regarding the technical dimensions of brand equity, brand awareness is firmly established due to mandatory usage policies and high-visibility visual campaigns. Perceived quality yields positive assessments concerning passenger comfort, yet remains critically constrained by technical limitations in battery capacity and speed. Conversely, brand association remains narrowly tied to global technological imagery and fails to integrate local cultural values. Meanwhile, brand loyalty remains markedly low, primarily because the implementation is perceived as a prescriptive, top-down mandate rather than an organically driven organizational initiative. To bridge these empirical gaps, this study integrates Rogers’ Diffusion of Innovation theory, specifically leveraging innovation attributes and the optimization of communication channels to accelerate user adoption. Through this theoretical synthesis, this study conceptualizes a socio-cultural communication model engineered to reconcile top-down narrative tensions and internalize indigenous wisdom within cultural tourism missions. Ultimately, these insights underscore the strategic imperative of aligning brand management, national identity, and sustainable transport agendas within Indonesia’s emerging greenomics framework.
Downloads
Submitted
Accepted
Published
Issue
Section
License
Copyright (c) 2026 Misnan Misnan, Iswahyu Pranawukir, Nur Desilawati

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Ettisal: Journal of Communication is committed to the principle that making research freely available to the public supports a greater global exchange of knowledge.
All articles published in Ettisal are open access and freely available online immediately upon publication, without any subscription or access fees. Readers are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author, provided that the use is non-commercial and the original source is properly cited.
All works published in Ettisal: Journal of Communication are licensed under the Creative Commons Attribution–NonCommercial–ShareAlike 4.0 International License (CC BY-NC-SA 4.0).
This means:
-
Users may share (copy and redistribute) and adapt (remix, transform, and build upon) the material in any medium or format for non-commercial purposes.
-
Appropriate credit must be given to the author(s) and the journal, a link to the license must be provided, and any derivative works must be distributed under the same license.
-
Commercial use of the published material is not permitted without prior written consent from the author(s) and the journal.
Authors retain full copyright to their work and grant Ettisal: Journal of Communication the right of first publication. Authors may also deposit their published articles in institutional repositories or personal websites, acknowledging the journal as the original place of publication.
Through this open access policy, Ettisal: Journal of Communication aims to promote ethical scholarship, knowledge dissemination, and public engagement with communication studies worldwide.











